S2.E48. Jollity, Sentimentality, and Charm. Mozart Bassoon Concerto; Mahler 5th Adagietto; Dvorak Humoresque 7 for Violin and Piano.

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Welcome back to Perfect Pitch with Nick Healy Hutchinson and his fresh approach to the world of classical music. Whether you're an expert or a beginner, old or young. Perfect Pitch has something for everyone.

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The platoon, I think, is one of those underrated instruments in the orchestra. And of the platoon writer, the orchestra coconut. And it's a bit of a popular in the report. And last seven minutes. Popularized in modern culture by the film Death and Bennett. The whole symbol was probably the birds by its favourite. The history of the work is a long way from the end data, especially when it comes to the movement. Unfortunately, it's not very helpful. I don't know if models are stored the code locks and three data. But if a young model called code locks, it's down for the house on the words belonging to three data. One to hot one to cold and one but just write. One two loads, one two sources, one that has right. A golden lock scenario is another term used to add anything which is not a target. A golden lock economy which is running off to the other. I just noticed that Mozart's Petrojetto, which we started with today, was completed on the 4th of June 1774, which makes it 250 years old, almost to the day. It's quite hard to know how to follow that maler, and I don't think anything bombastic fills the brief. So we'll conclude with some peaceful charm from the pen of de Borja, who wrote eight opera for piano in the summer of 1894. The renowned violinist Fritz Kreisler arranged number seven for the violin and the piano, and I think it's rather lovely. It's played here by Augustin Hadelig on the violin and Charles Owen on the piano.

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