S2.E103 Brahms Clarinet Quintet, Beethoven Andante Favori, Berwald Scherzo Symphony 4, Elgar Imperial March.

Welcome back to Perfect Pitch with Nick Healy Hutchinson and his fresh approach to the world of classical music. Whether you're an expert or a beginner, old or young. Perfect Pitch has something for everyone.

Before we tuck into the music today, I want to draw your attention to the new links which you can find at the bottom of each episode. The top one gives you access to a new review page where you can rate and leave any kind of feedback. I've got absolutely no idea how these algorithms work, but apparently it really does make a difference. So I'd be very grateful if you could spend just a few minutes here. And by way of a thank you, the second one takes you to a prize drawer. Join me in a box at the Royal Festival Hall in London or a London Philharmonic Organization Concert on the February 24th next year. If you win, I'm not able to come. You can always allocate your tickets to anybody who would choose. You might just talk about the marvelous one person without the user. And many times he would play it. It's not hard to see how it became the beauty loud. And there's nothing much I need to say about the music itself. Since we played any of the music and the Swedish composer, I think it's anywhere to work. So his music is one really in the romantic tradition. I didn't get more than that. And indeed, I don't often think it is either. Because I think so much of it. A few weeks ago, I was sitting in Winchester Cathedral for a Sunday service and sat in the midst of this monumental workout on the organ at the end. And who made their way to the West Door before it was up. I had no idea what they were talking about. It was written to celebrate the Diamond Jubilee of Queen Victoria in 1897. What a tremendous transcription I think on the organ.