32. Light and cheerful; weighty and glorious.
Schubert, Wagner.
Do you think that classical music is not for you and you don't know where to start? Or maybe you're a fan already and would welcome a fresh approach. You've come to the right place. Perfect pitch is for everyone. Beginners or experts, whatever your age. Then you have your age for classical music that would have your life.
SPEAKER_00We start into D major, and then the second version goes into D major. And then the second area where you also get up into the minor career. And the straight back will go into the majority. I don't know if it's one or two that's upgrade. You never get long passages leading you up to the change. It's an instant. But completely natural. And I'm not sure I can think of any composer who does it with such ease. You can't leave it at that, surely. I can take it with you. So let's listen to the other two. But even if you had the other one, we just listen to the third one or the father and the other. I don't know if you were hoping for the other hearty daughters to play these, but it certainly left them with quite a challenge if it was. Number two is played here by Robert Levin and Malcolm Bilson. Number three by Christopher Eschenbach and Justus Franz. Because I think it's time we had a little more Wagner. I can already hear the reaction from some of you about time two in the red corner and an almighty groan or worse in the blue corner. I've already touched upon it quite despite. But it's impossible to avoid that there are passages of this automated effect. And it's a quick offering. And for the defense, I presented the overture to what is the upper overture and the written for an upper effect. So I could go on that length taking apart each as a word. But the best and least complicated way to look at this effect is as a dialogue or a conflict between good and evil and the ultimate union in redemption. The good opens up each other. And I'll leave the rest of your imagination. But the joyous conclusion is one of the great affirmations in all music. If this really doesn't do it for you, then I will concede that the partner is not your bad. But if you've not heard it before, my hunter is a joy for the Chicago.
SPEAKER_02That's it for now. Thank you for listening to Perfect Pitch with Nick Healy Hutchinson. He'll be back again next week with some more treasures for you. So please do join him then. And you can subscribe to this podcast by clicking on the link below.